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New York African Movie Competition Proclaims 2024 Lineup

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New York African Movie Competition Proclaims 2024 Lineup

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Movie at Lincoln Middle and African Movie Competition Inc. have revealed the slate for the 31st New York African Movie Competition, a lineup that features greater than 50 movies hailing from over 25 international locations.

The competition, working from Could 8-14, will open with the North American premiere of Over the Bridge, director Tolu Ajayi’s narrative function set in Lagos, Nigeria. The closing-night slot goes to Dilli Darkish, directed by Dibakar Das Roy, a story function a few Nigerian MBA pupil in Delhi, India. Nigerian actor Samuel Abiola Robinson stars within the position of Michael Okeke.

“The entire intent behind it’s to not simply discuss Africans in Delhi,” Roy advised Outlook India. “The intent is to speak about anybody who looks like an outsider in society at this time, that might be in India, America, or some other place. Michael Okeke is a metaphor for each outsider, whether or not he’s an Indian or foreigner in any society.”

The primary version of the New York African Movie Competition happened in 1993. Since its inception, “the competition has been on the forefront of showcasing African and diaspora filmmakers’ distinctive storytelling via the shifting picture,” a launch notes. “This yr’s theme, ‘Convergence of Time,’ explores the intersection of historic and up to date roles performed by people representing Africa and its diaspora in artwork.”

See the complete lineup under.

'Fight Like a Girl'

‘Combat Like a Woman’

KG28Media

Amongst North People premieres is Combat Like a Woman, directed by Matthew Leutwyler, “depicting the true story of a younger Congolese girl (Ama Qamata from the hit Netflix sequence Blood and Water) who finds liberation after becoming a member of an all-women’s boxing membership in Goma, led by an ex-child-soldier coach.”

The competition lineup makes area for fiction and nonfiction movies. Amongst documentaries are DELA: The Making of El Anatsui, directed by Oyiza Adaba, about El Anatsui, the world-renowned sculptor from Ghana, which “triumphantly acknowledges the significance of Africa’s wealthy creative and cultural heritage.” Yajaira De La Espada’s documentary Instructor Don’t Train Me Nonsense, in the meantime, showcases “the life and empowering legacy of the founding father of Tanzania, Mwalimu Julius Nyerere, and the current presidency of Dr. John Pombe Magufuli.”

NYAFF logo

NYAFF

In a press release, Mahen Bonetti, NYAFF founder and AFF govt director, noticed, “The thirty first New York African Movie Competition has a lot to supply when it comes to honoring the origins of homegrown, beloved African and diaspora movie trade, in addition to celebrating their references in trendy masterpieces.”

The brief movie Love Faucets, directed by Derrick Woodyard and govt produced by Spike Lee, “remark[s] on masculinity, secrets and techniques, and household ties.” One other brief premiering at NYAFF, Harold George’s Making Males, might be accompanied by a stay dance efficiency from George and members of his dance troupe, with a dialogue afterwards.

Filmmaker Ngozi Onwurah (L) and John Barker speak during the african voices panel at the American Film Market held at Loews Santa Monica Beach Hotel on November 4, 2006 in Santa Monica, California.

Filmmaker Ngozi Onwurah

Thos Robinson/Getty Photos for AFM

This yr’s Grasp Class introduced by AFF will function veteran unbiased filmmaker Ngozi Onwurah, “who will talk about the craft of using cinema as a instrument for unmasking the dynamics of the socioeconomic established order.”

The opening-night movie might be introduced on the Walter Reade Theater at Lincoln Middle. All different screenings, in addition to the Grasp Class, will happen at Elinor Bunin Munroe Movie Middle at Lincoln Middle.

Film at Lincoln Center logo

Movie at Lincoln Middle

All year long, Movie at Lincoln Middle presents retrospectives, new releases, and movie festivals together with the New York Movie Competition, New Administrators/New Movies, Rendez Vous with French Cinema, and the New York African Movie Competition.

“We’ve had these applications now 25, 30, 40 years. They’re terrific,” Lesli Klainberg, president of Movie at Lincoln Middle, tells Deadline. “And I feel it’s vital for us as a result of it not solely brings in so many various sorts of audiences to our theaters, however as a result of it displays the variety of filmmaking and movie in our world. It’s simply so essential to us that we discover all these totally different ways in which persons are utilizing this artwork type and we need to make that accessible to the audiences right here. That’s what we’re right here for.”

Beneath are full particulars on the 31st New York Africa Movie Competition program:

Opening Evening

Over the Bridge

Tolu Ajayi, 2023, Nigeria, 99m. English and Yoruba with English subtitles

North American Premiere

Folarin is an completed funding banker with a ravishing spouse and a life most individuals can solely dream of. When a high-profile authorities undertaking his firm was employed to handle goes awry, he begins to query every part he’s ever identified to be true. After going lacking, he discovers himself in a distant fishing village and begins to place collectively the lacking items—however will he ever discover his approach again house?

Screenings: Wednesday, Could 8 at 6:30pm – Q&A with Tolu Ajayi. Thursday, Could 9 at 2:00pm

Closing Evening

Dilli Darkish

Dibakar Das Roy, 2023, India, 100m. English, Hindi, Yoruba, Pidgin, Bengali, and Gujarati with English subtitles

New York Premiere

New Delhi will not be as “new” because the identify may counsel. It’s an historic, cosmopolitan metropolis that has seen many rulers, invaders, and settlers over the centuries. It’s a metropolis that’s multicultural, but hostile—ceaselessly taking part in out the battle between insider and outsider. However although Delhi has seen many kings, one can say that the town is the one true monarch, a god in itself. Michael Okeke is likely one of the many Nigerians dwelling within the metropolis, half of a bigger African diaspora that’s typically appeared down upon by the locals and accused of being criminals, cannibals, and extra. He’s finding out for his MBA and goals of becoming a member of the booming company sector in India, however within the meantime works as a small-time drug supply man to make ends meet. Residing on the fringes of society, the one one that takes him in is a sketchy girl by the identify of Maansi, somebody who doesn’t discriminate between black and white—but in addition appears to search out no distinction between proper and incorrect, a sentiment being echoed in each side of the town’s DNA. As Michael navigates this difficult panorama and tries to please the god that’s Delhi, we’re taken on a journey into Indian society’s difficult relationship with race, shade, and id.

Screening: Tuesday, Could 14 at 8:15pm – Q&A with Dibakar Das Roy

After the Lengthy Rains

Damien Hauser, 2023, Switzerland/Kenya, 90m. Swahili with English subtitles

New York Premiere

Ten-year-old Aisha is given a faculty project to determine what she desires to be when she grows up. She quickly realizes that everybody is taking up their mother and father’ companies and professions, however she has larger goals: She desires to go to Europe and grow to be an actress. Her plan is to grow to be a fisher in order that she will sail to Europe, however her mom thinks that fishing ought to be left to males. Regardless of all this, she meets an alcoholic fisherman named Hassan, who guarantees to show her tips on how to fish.

Preceded by

Timis / Nightfall

Awa Moctar Gueye, 2023, Senegal, 16m. Wolof with English subtitles

New York Premiere

Pa Kong-Kong is a mysterious man who lives alone in a abandoned, gloomy market within the suburbs of Kajar. Rumor has it he tortures little thieves, runaways, and naughty kids. Binta, a curious and brave woman, decides to confront Pa Kong-Kong in the midst of the night time, decided to show to her buddies that women have the bravery to steer.

Screenings: Sunday, Could 12 at 1:00pm – Q&A with Damien Hauser. Monday, Could 13 at 2:30pm

La Chapelle

Jean-Michel Tchissoukou, 1980, Congo, 80m. Lingala and French with English subtitles

Set in Nineteen Thirties Congo, director Jean-Michel Tchissoukou’s comedy La Chapelle humorously portrays the conflicts between African traditions and the Catholic Church in the course of the development of a chapel. Tensions rise because the village priest clashes with a younger instructor, whereas the villagers navigate the institution of a faculty and chapel, irritating the parish priest.

Preceded by

Jabari

Francis Y. Brown, 2023, Ghana, 6m. English

New York Premiere

Jabari, an orphan raised by seer Hem-Netjer, grows to uncover the thriller behind his beginning and the demise of his mother and father. He takes on mystical giants summoned from the darkish realms of the underworld in the middle of fulfilling his found objective and saving the harmless folks of Aksum.

Screenings: Thursday, Could 9 at 5:30pm; Friday, Could 10 at 3:00pm

DELA: The Making of El Anatsui

Oyiza Adaba, 2023, Nigeria, 120m. English, French, and Ewe with English subtitles

North American Premiere

DELA: The Making of El Anatsui is a biographical documentary delving into the lifetime of a rare artist, El Anatsui, the world-renowned sculptor from Ghana. His internal musings discover vivid expression in artwork that defies borders and limitations, reshaping the very idea of sculpture. Oyiza Adaba’s directorial debut triumphantly acknowledges and emphasizes the significance of Africa’s wealthy creative and cultural heritage within the pantheon of worldwide up to date artwork.

Screening: Sunday, Could 12 at 3:30pm

Dynamite

Uche Aguh, 2023, Ghana, 60m. English

New York Premiere

Kiki, a songstress managed by her controlling and strong-willed husband Mark, is ready to launch her newest album when a alternative bassist, Kofi, is available in for a rehearsal with Kiki and her band. Sparks instantly fly, and Kiki is pressured to make a tough resolution when she finds herself thrust into this new love affair.

Preceded by

Final Evening

Peter Oti Asamoah, 2023, Ghana, 17m [No dialogue]

World Premiere

A person’s need for a ravishing stranger leads him down a darkish and harmful path, the place he discovers a terrifying secret lurking beneath the floor. As he searches for the girl who stole his coronary heart, a battle for survival ensues, and the person’s destiny hangs within the steadiness as he fights to uncover the reality in regards to the girl and her secrets and techniques. This gripping story will preserve you on the sting of your seat till the stunning finale.

Screenings: Friday, Could 10 at 5:45pm, Tuesday, Could 14 at 2:00pm

Combat Like a Woman

Matthew Leutwyler, 2023, Rwanda/Democratic Republic of the Congo, 118m. English and Swahili with English subtitles​​

North American Premiere

A younger Congolese girl (Ama Qamata from the hit Netflix sequence Blood and Water) pressured to work in an unlawful mineral mine escapes her captors and finds a brand new life for herself after becoming a member of a famend all-women’s boxing membership within the border metropolis of Goma. Based mostly on the true story of an East Congo all-women’s boxing membership and their ex-child-soldier coach, Combat Like a Woman was shot on location within the Democratic Republic of the Congo and Rwanda.

Screening: Friday, Could 10 at 8:15pm – Q&A with Ama Qamata

Making Males with Dialogue + Dance Efficiency

Antoine Panier, 2019, Belgium/Zimbabwe, 60m. English

New York Premiere

Inspecting the query of masculinity, this dance movie zooms in on 4 people within the technique of turning into males. As is anticipated, they proceed unquestioningly into manhood via numerous levels of their lives, adopting the clearly coded traits dictated by society. Nevertheless, they’re oppressed by a sense of unease within the very depths of their being, feeling uncertainty but in addition one thing else, more durable to outline…. Shot within the breathtaking panorama of Zimbabwe, Making Males options sturdy and rhythmical choreography but in addition particular camerawork that intensifies feelings impressed by the motion. This particular hour-long occasion will function the New York premiere of the 24-minute movie Making Males, adopted by a dialogue and a particular dance efficiency by Harold George and Berrette Macaulay.

Screening: Saturday, Could 11 at 1:30pm at Elinor Bunin Munroe Movie Middle Amphitheater

MK: Mandela’s Secret Military

Osvalde Lewat, 2022, South Africa/France, 57m; English, German, and French with English subtitles

New York Premiere

MK: Mandela’s Secret Military chronicles the lives of former members of uMkhonto we Sizwe (MK), the armed wing of the African Nationwide Congress. The documentary is an intergenerational reflection on the all-consuming name to take up arms for South Africa’s liberation, heeded by younger women and men—some barely of their teenagers—who gave up their lives and any future to threat dying for the dream of a free South Africa. The younger guerilla fighters of yesteryear are actually getting old veterans. How will historical past keep in mind them? The place are they now, and the way have they reconciled a previous dedicated to liberation with a present-day actuality that their contribution to a free South Africa has virtually been forgotten?

Preceded by

Neighborhood Alert

Ngozi Onwurah, 2024, U.S., 30m; English

North American Premiere

Impressed by a real story, Neighborhood Alert tells the story of a Black mom that’s pressured to take extraordinary motion as a way to guarantee the security of her teenage son.

Screening: Monday, Could 13 at 5:30pm – Q&A with Ngozi Onwurah

The Rhythm and The Blues

Darryl Pitts, 2024, U.S., 59m. English

New York Premiere

A story of ardour, battle, and the enduring energy of music in an ever-changing world, The Rhythm and The Blues is the true-life story of legendary bluesman Eddie Taylor and his struggle for recognition in opposition to obscurity, trade corruption, and the British Invasion’s cultural appropriation. Portrayed by actor and musician Leon, Taylor’s battles prolong to his household, the place an bold younger spouse and idolizing stepson complicate his quest for musical respect.

Preceded by

Funmi!

Siji Awoyinka, 2024, U.S., 12m. English

World Premiere

Funmi! is a visible reward music for a radiant soul on the event of his transcendence from man to melody, from brother to reminiscence.

Screening: Saturday, Could 11 at 5:30pm – Q&A with Darryl Pitts, Leon Robinson, and Siji Awoyinka

Instructor Don’t Train Me Nonsense

Yajaira De La Espada, 2023, U.S./Tanzania, 75m. English and Swahili with English subtitles

U.S. Premiere

Instructor Don’t Train Me Nonsense is a documentary that offers voice to the rising development of Afro-descendants shifting again to the continent of Africa to stay. It highlights the lifetime of an expert educator and their journey via the Texas college system to search out freedom amid points surrounding college fairness, racism, and miseducation. That is juxtaposed in opposition to the life and legacy of the founding father of Tanzania, Mwalimu Julius Nyerere, who enacted empowering insurance policies resembling Ujamaa and Schooling for Self-Reliance, and the life and occasions of Dr. John Pombe Magufuli, the president who denounced COVID-19. Whereas the American schooling system has left extra to be desired in educating about African leaders resembling Nyerere and Magufuli, this documentary dissects the problems of culturally unresponsive curricula and dangerous educating practices within the U.S., offering options centered on the historical past of independence and up to date political insurance policies of Tanzania. Instructor Don’t Train Me Nonsense helps viewers to think about a society ruled by lecturers and the optimistic influence they carry.

Screening: Saturday, Could 11 at 3:00pm – Q&A with Yajaira De La Espada

This Is Lagos

Kenneth Gyang, 2023, Nigeria, 91m

Pidgin and English with English subtitles. New York Premiere

Needing fast money for studio time, aspiring rapper Stevo works for the psychotic Kojack and his “shoot-rob-run” gang. When their escape from a heist goes incorrect, Stevo is separated from the gang. Fortunately, he’s the one carrying the loot. On this darkish comedy a few musician and his sensible metropolis woman, Stevo should navigate the hazards of his felony previous whereas pursuing his music goals.

Screening: Sunday, Could 12 at 9:00pm

Time Spent with Cats Is By no means Wasted

Clive Will, 2021, South Africa, 171m; Xhosa with English subtitles

U.S. Premiere

This stark piece of sluggish cinema captures one man’s battle with the world round him. Joe, a small-town abattoir employee, leads us on this allegorical journey. His dream to fly has impelled him to assemble his personal helicopter, a ramshackle meeting of scrap and located objects with no actual sensible functionality other than standing as a monument to his individuality. When an artwork purchaser presents to buy the flamboyant creation, it’s a blended blessing that causes a fracas among the many folks of his group, who unjustifiably demand a stake within the potential spoils. Joe is pressured to struggle off the avaricious townsfolk or lose all he has labored for.

Screening: Monday, Could 13 at 8:15pm – Q&A with Clive Will

Beneath the Hanging Tree

Perivi Katjavivi, 2023, Namibia, 93m. English, German, Afrikaans, Otjiherero, and Khoekhoegowab with English subtitles

U.S. Premiere

On this first-of-its-kind movie that dissects Namibia’s colonial previous, Christina Mureti, a hard-boiled police officer from the town, is transferred to a small desert village in Namibia, the place she uncovers a sequence of grisly animal sacrifices maybe linked to the disappearance of the villagers’ kids. Then a German farmer is discovered held on the identical tree the place Christina’s ancestors have been hung a century in the past throughout Germany’s colonial conflict and genocide. It’s only when Christina begins to find out about her folks’s historical past and embraces a few of its cultural knowledge that she is going to be capable to resolve the case.

Screening: Tuesday, Could 14 at 5:30pm – Q&A with Perivi Katjavivi

NEW YORK AFRICAN FILM FESTIVAL SHORTS PROGRAMS:

ETERNAL SOULS, TRANSIENT BODIES (84m)

Generally It Was Lovely

Christian Nyampeta, 2018, Sweden/Democratic Republic of the Congo, 3m. English and Swedish with English subtitles

A gaggle of unlikely buddies collect in a time-knot to look at and critique movies made by Swedish cinematographer Sven Nykvist within the Congo between 1948 and 1952. Their dialogue highlights enduring tensions surrounding social transformation, cultural property, and who has the precise to illustration.

Mångata

Maja Costa, 2023, Germany/Italy, 16m. English, Italian, and Yoruba with English subtitles

New York Premiere

As a toddler, little Alya is the one survivor of a tragic Mediterranean crossing from Africa to Europe. A few years later, as an astronaut on an vital lunar mission, Alya loses communication along with her base. She is confronted along with her previous trauma, and now Mångata—“the street to the moon,” which already saved her life as soon as, will assist her once more.

For These That Lived There

Shawn Antoine II, 2023, U.S., 6m. English

New York Premiere

For These That Lived There weaves a visible tapestry, navigating the poignant impacts of gentrification, the displacement of Black legacies and the emergent migrant narratives.

The Prophecy

Rehanna Ngom, 2023, Senegal/U.S., 20m. English and Wolof with English subtitles

World Premiere

Tabara, a second-generation immigrant from Senegal dwelling in America, suffers from the implications of a rape, along with her trauma manifested in nightmares the place a monstrous creature, mutilated above recognition, mocks her. After unsuccessful remedy and recommendation from her conventional grandmother, Tabara decides to journey to Senegal for the primary time to hunt therapy from an unorthodox supply—an African marabout, a holy man who’s believed to have supernatural energy.

The Final Bash

Diego de Jesus, 2023, Brazil, 24m. Portuguese with English subtitles

New York Premiere

Younger folks collect for a celebration earlier than going into COVID-19 lockdown. They discuss music, arts, work, and the unsure future, not realizing when they are going to be capable to meet once more.

The Wait

Imran Hamdulay, 2023, South Africa, 15m. English, Xhosa, and Afrikaans with English subtitles

World Premiere

After arriving at a Cape City police station to report a criminal offense, Mzu finds an aged man has been missed whereas ready behind the queue. The station is busy and the previous man is confused with nobody to help him. Mzu takes it upon himself to see that this man is helped however shortly finds resistance from these forward in line and the stifling bureaucratic system. The Wait is an allegory of South Africa’s complicated society, the place a way of powerlessness and hope exist collectively always.

Screening: Thursday, Could 9 at 8:30pm – Q&A with Rehanna Ngom and Christian Nyampeta

PERPETUAL CONNECTIONS (98m)

Love Faucets

Derrick Woodyard, 2023, U.S., 14m. English

New York Premiere

A younger boy making an attempt to deal with his mother and father’ separation beneficial properties a brand new perspective of his father after discovering his affair with one other man.

The Final Joint

Devin Powell, 2024, U.S., 7m. English

World Premiere

Iman indulges in a final joint earlier than he takes a tolerance break. As soon as the entire herbs are gone, his cellphone begins to explode. Texts from his provider and from his love curiosity, Tori, stress Iman to succumb to his atmosphere and pursue extra stress-relieving medication. By way of this journey Iman learns if the collapse of his self-discipline was value it.

Jeanne

Antoine Paley, 2023, France, 12m. French with English subtitles

New York Premiere

Jeanne Duval, the mixed-race muse and companion of Charles Baudelaire has been forgotten by time and erased by historical past. However she refuses to stay silenced. On this brief we see April 27, 1842: a day within the lifetime of Duval and Baudelaire. Because the day goes on, the burden of Charles’s phrases and desires turns into more and more tough for Jeanne to bear.

Mirah

Ahmed Samir, 2024, Egypt/Germany, 18m. English, Arabic, and German with English subtitles

World Premiere

Impressed by a real story, Mirah, an Egyptian immigrant dwelling in Germany, finds a singular technique to adapt to the quick lifetime of Berlin. By way of the fictional story of Mirah and her journey of self-discovery, the movie invitations audiences to query the social masks we put on to really feel secure.

Papi

Ashley L. Canfield, 2024, U.S., 23m. English and Spanish with English subtitles

North American Premiere

Hector Jr. tries to navigate the complexities of reconciling his self-identity amidst his father’s COVID-19 disaster.

Addis, My Father

Kitoko Diva, 2023, France/U.S., 8m. Amharic and English with English subtitles

U.S. Premiere

A way of the inevitable fills the silence between Addis and Rahel, a father and daughter, as they work tirelessly of their empty clock and vintage restore store.

Black Desires

Chiemeka Offor, 2024, U.S., 16m. English

New York Premiere

In a realm of darkness, a younger girl harnesses divine visions of God, gentle, and water to manifest her goals, unlocking a mesmerizing internal universe of artwork, magnificence, and motion past creativeness. Black Desires is a surreal, experimental documentary, an inventive testomony to younger, Black, queer artists in New York. As they peel again the layers, they unearth their very own brilliance, discovering solace and kinship inside their group, and a newfound sense that they’re by no means actually alone. Black Desires is proof of our magic.

Screening: Saturday, Could 11 at 8:00pm – Q&A with Ashley L. Canfield, Naima Hebrail Kidjo, Devin Powell, Ahmed Samir, and Derrick Woordward

VESSELS OF FORTITUDE (101m)

A Quiet Monday

Dika Ofoma, 2023, Nigeria, 22m. Igbo and English

U.S. Premiere

When the chief of a secessionist group in southeastern Nigeria is jailed, his loyalists mandate a obligatory “sit-at-home” on Mondays in protest. Siblings Kamnonu and Ogbonna face hazard after they defy the Monday restrictions. 

I Promise You Paradise

Morad Mostafa, 2023, Egypt, 25m. Arabic with English subtitles

New York Premiere

Following a violent incident, Eissa, a 17-year-old African migrant in Egypt is in a quest in opposition to time to avoid wasting his family members—it doesn’t matter what it takes.

Bege (Craving)

Umar Turaki, 2023, Nigeria, 14m. Hausa with English subtitles

North American Premiere

When Sanda reveals up at her entrance door years after their breakup, Amina performs the right host. Because the dialog unfolds, they acknowledge the issues that point has made plain. However have they got the braveness to confront the elephant within the room? Bege (Craving) shines a lightweight on the oft-unspoken emotional toll that comes about when love falls out of bounds for medical causes, and examines what occurs when the physique betrays the guts.

Cape City Royalty Program

Max Fouchee, 2023, South Africa, 7m. English

New York Premiere

An advert presenter has to promote the dream of the South African metropolis Cape City as an opulent but cost-effective new house to rich Europeans. As soon as she realizes her script is problematic, she tries her greatest to let the potential viewers know in regards to the day by day actuality of Cape City’s residents.

Wèrè

Dolapo Marinho, 2023, Nigeria, 24m. Pidgin and Yoruba with English subtitles

North American Premiere

A homeless girl depends on the kindness of a stranger to outlive. When her lifeline disappears, she is pressured to make sure her personal survival in a deadly metropolis with devastating penalties.

The place My Reminiscence Started

Priscillia Kounkou Hoveyda, 2023, Sierra Leone, 9m. Krio with English subtitles

New York Premiere

The place My Reminiscence Started follows elder Ballu as she tries to recollect a 400-year-old cotton tree.

Screening: Sunday, Could 12 at 6:30pm

Grasp Class: Ngozi Onwurah

Be part of AFF as veteran unbiased filmmaker Ngozi Onruwah discusses the craft of using cinema as a instrument for unmasking the dynamics of the socioeconomic established order in an intimate dialog with Ashley Clark, Curatorial Director on the Criterion Assortment, within the Amphitheater within the Elinor Bunin Munroe Movie Middle.

Thursday, April 11, at 11:30am at Elinor Bunin Munroe Movie Middle Amphitheater

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